I watched a fly caught in layers of webbing behind the blinds, heard the fruitless buzzing, muddy and frantic, as it struggled and pulled to free itself, ripping off a leg with its efforts. The short, stunted whirrs of effort sounded almost despairing, like a fly could lose hope amidst its chaotic pathways. All through it, the tiny spider darted around, trying to wrap up the feast, trying to bite. The fly ripped itself free of the lacy trap, and crashed down to the windowsill, where it struggled, legs still trapped, and expired – so both were left without.
I stepped into the forest down the road on my lunch hour, traded a haze of petrichor for the closed-in quiet of the trees. Ambling down earthen, paw-trodden paths, listening to the magpie's cackle, saluting as he passed. Somewhere in the shroud of leaves, the soft, rhythmic cooing of a bird I used to imagine an owl. Where the only sign of humanity was the lamp posts lining the main path and the far-off roar of the A road.
All of my poetry feels insincere and fake, hollow, un-living. Like I'm writing from inside a bubble or scratching through the veil. Like I haven't lived, not really, haven't felt the kind of pain I want to write about, like I must first draw blood to speak. I think of a woman with a name like starlings, whose songs aren't always from her tapestry of life, but treading the threads of someone else. It still feels so raw and alive like she'd lived it herself. Maybe I just don't understand people enough. Maybe I just don't know what to talk about.
Here is a scent that lingers in the throat like retina-burn, the saccharine scent of roses in a petrified forest of stone. Petals, gold and blushing, caught in the folds of my pleated magpie-coloured skirt, dusted with charcoal from the hearth. Sweet wrappers coloured the flaming hearth and left a coating of plastic vapour in my throat like an aching film. My pleated magpie skirt was stained with the scent of roses, a rosewater pool seeping into the folds of the kitchen floor, the bottle smashed upon stone. Shards of glass decorated stone, lit by flame-light, a jewel encrusted hearth. I steered clear, lest the glass slice the folds of my bare toes and grow in my throat the ache of tears. A taste of roses sank into my skin, soaking through my pleated skirt. I fell to my knees, blushing, my pleated skirt gathering charcoal scattered across stone, a dust cloth from waist to knees. The pool of roses faded, evaporated by the warmth of the hearth, soaked into my towel. Rosewater infected
Drawn in chalk, a flower grows
where she lay across the floor.
A midnight dreamer waiting to be lit,
to bask in the afterglow of the valley
where she sang in the morning.
"They put my hands in water,
told me I'm a god."
Across the river, life answered
and followed her into the night,
seeking the lamb that gave her a name.
"The grey in this city
is too much to bear."
In the end, she was an eagle,
the birds singing to calm her down.
An old stone, all her fire had left,
ten thousand years and still on her own.
Five minutes before I die,
give me something to write with.
Give me paper, a book even,
I'll scribble over that summer's day sonnet
if I have to.
Let me write 'I love you'
to those that matter dearly -
Father, mother,
sister, brother,
lover,
friends.
Let me say I'm sorry that I had to leave.
Even though I'm not immortal
and one day, we all die, I'm sorry,
I feel sorrow to say goodbye.
Life is terrible and beautiful,
and I loved every second -
even when I didn't.
Let me think on the things I love,
the warm blanket, the sun rays through the window in winter,
the moon with its faint blue ring,
the stars,
and their infinity when I tried once
"Screaming at your problems
won't solve them," they tell me
outside, where frustration,
a private matter of buried feelings,
is silent.
But, on the tatami of the willow dojo,
where passage is marked with rei -
for battle, a bow -
my strikes are charged with shouts
to lend me power. Faced
with a challenge of technique,
to batter down the wall, I scream.
The mats and the outdoors
are sometimes murky in the tempest
of my mind. I stifle my confusion
and polarise the worlds.
As I suffocate
my frustration, my sense
of control is drowned.
Voiceless, my technique is lost,
I lash out.
Duck feathers poke through
the pores of the pillow I lay
my head upon at night,
a five-o'clock shadow prickling my cheeks.
I used to enjoy tugging the stubble
and watching the fluff of bird-leaf emerge,
like I'm pulling the feathers
back inside a mallard,
leaving it reverse-plucked.
Some nights, so my feelings can fly loose
and bother no-one, I take my feather pillow
and press it to my face, the cotton casing a plug
to fill my mouth and nose. A muffled expression,
soaking my screams into a sponge of duck feathers.
Aristotle dropped his cannonballs
from the Horologium; raindrops
of stone, heavy and thunder-grey. Above,
clouds drifted across a copper sky
like feathers caught in a wind-river,
wide and slow-moving, nearing the sea.
Aristotle watched his cannonballs
hurtle towards soil, and imagined Earth
without airy medium. Perhaps there,
a feather’s descent might be as swift.
With nothing to copper the sky, or breathe,
he’d suffocate under starlight in a storm
of black hail and bird coat.
Aristotle studied his cannonballs
as they fell, under a copper sky, breathing.
Hearing the huff of stone
meeting soil, he reached
for another, and hoped
I wonder if we cheat our dead
by burning them,
rid them of their right to rot
and dissolve, feed another life,
channel energy through soil.
Scattered as ash, the dead rest on grass,
mix with ocean salt, dance with summit snow.
A resting garnish,
like Parmesan scattered over steaming spaghetti,
or a blanket of dead-skin dust in a disused bedroom.
Cheese melts, but hardly mingles;
ashes disperse, but feed, or fuse?
The grains are small, hard to see, hard to say.
Even as corpses, the dead are quarantined
within wood, embalmed, secluded in their repose.
We call it respect, but maybe desecration
through isolation would be more honest
a phras